Danton’s Death

Adam Kenyon Venker and Nick Maccarone in
No Exit by Jean-Paul Sartre

by Georg Büchner
directed by Adriana Baer
October 10

Before Büchner wrote Woyzeck , (Cutting Ball’s second show this season), he created Danton’s Death, a searing exploration of the French Revolution, offering some of Büchner’s darkest thoughts about the human condition, “We know very little about each other. We are lumbering, thick-skinned animals, we reach out our hands to touch but the strain is pointless, we blunder about rubbing our coarse skins up against each other. We are very much alone.”

The Cutting Ball Theater’s 2015-16 season is made possible in part by Barbro Osher Pro Suecia Foundation, Bloomberg Philanthropies, Fleishhacker Foundation, Grants for the Arts / San Francisco Hotel Tax Fund, The William and Flora Hewlett Foundation, The Andrew W. Mellon Foundation, Mental Insight Foundation, The National Endowment for the Arts, The Kenneth Rainin Foundation, The RHE Charitable Foundation, The San Francisco Arts Commission, The San Francisco Foundation, and The Zellerbach Family Foundation, and Season Producers John and Paula Gambs, Ken Melrose, and Velia Melrose.